All you have to do is fall into one of four common negative stereotypes, and the pitch session will be over before it has begun. (For more on these stereotypes, see the sidebar “How to Kill Your Own Pitch.”) In fact, many such sessions are strictly a process of elimination; in my experience, only 1% of ideas make it beyond the initial pitch. The fundamental, or regulation, curve is a swerving pitch that breaks away from the straight line, to the left (the catcher’s right) if thrown by a right-handed pitcher, to the right if by a left-hander. In both curves and reverse curves, the ball reaches the batter at a slower rate of speed than the fastball, and the deception is almost as much a result of the slower ball’s falling away from the bat as of its swerving from a straight trajectory. Pitching demands more exact coordination of mental and muscular faculties and more continuous physical exertion than any other position in the game.

  • Marketing pitches emphasize the values of the business, the product’s purpose, and how it will be marketed on each channel.
  • Until about 1870, the pitcher was merely a player assigned to put the ball in play by pitching it to the batter to hit.
  • Finally, it’s important to enlist the help of other people in vetting pitchers.
  • The pitch was outlawed in 1920, though pitchers then using it were allowed the pitch until they retired.
  • And judgments about the pitcher’s ability to come up with workable ideas can quickly and permanently overshadow perceptions of the idea’s worth.

Relatively few pitchers use the knuckleball, which lacks axial rotation, making it subject to air currents. The ball is wobbly as it approaches the batter and so is harder to hit solidly than a spinning ball. The knuckleball, however, is difficult to catch, and often it is missed by the catcher (a passed ball).

pitch verb

These insights emerged from my lengthy study of the $50 billion U.S. film and television industry. Specifically, I worked with 50 Hollywood executives involved in assessing pitches from screenwriters. Over the course of six years, I observed dozens of 30-minute pitches in which the screenwriters encountered the “catchers” for the first time. In interviewing and observing the pitchers and catchers, I was able to discern just how quickly assessments of creative potential are made in these high-stakes exchanges. In those environments, the results were remarkably similar to what I had seen in the movie business.

Until a batter hits the ball, the game is a duel between the pitcher (and catcher) and the batter, which is repeated with each at bat. Each batter that a pitcher strikes out or forces to hit a pop-up (pop fly, an easily caught fly) or easily fielded grounder is a gain for the defense, preventing runs and bringing the team closer to its turn at bat and a chance to score. Showrunners also display an ability to improvise, a quality that allows them to adapt if a pitch begins to go awry. Consider the dynamic between the creative director of an ad agency and a prospective client, a major television sports network.

Examples of pitching

The knuckler is thrown with an easy, almost lobbing motion, and, because of the minimal arm strain, knuckleball pitchers may have remarkable longevity. In baseball, the pitch is the act of throwing the baseball toward home plate to start a play. Originally, the ball had to be thrown underhand, much like “pitching in horseshoes”. When a person we don’t know pitches an idea to us, we search for visual and verbal matches with those implicit models, remembering only the characteristics that identify the pitcher as one type or another. We subconsciously award points to people we can easily identify as having creative traits; we subtract points from those who are hard to assess or who fit negative stereotypes. People on the receiving end of pitches have no formal, verifiable, or objective measures for assessing that elusive trait, creativity.

Rangers GM Chris Young discusses his highest pitch count, starting pitching situation – The Dallas Morning News

Rangers GM Chris Young discusses his highest pitch count, starting pitching situation.

Posted: Tue, 13 Jun 2023 01:13:29 GMT [source]

Defensive substitutions are common in the late innings of a game when a team is protecting a lead. A fleet-footed outfielder, for example, will replace a slower player who is more valued for his hitting. The most frequent defensive substitution, however, is that of one pitcher for another. Until about 1870, the pitcher was merely a player assigned to put the ball in play by pitching it to the batter to hit. One man generally did nearly all the pitching for a club all season, only occasionally relieved by a “change” pitcher. This change pitcher was usually an outfielder, and the two would often merely exchange fielding positions without leaving the game.

Phrases Containing pitch

He had come to pitch a weekly television series based on the legend of Robin Hood. His experience as a marketer was apparent; he opened by mentioning an earlier TV series of his that had been based on a comic book. The pitcher remarked that the series had enjoyed some success as a marketing franchise, spawning lunch boxes, bath toys, and action figures.


To obtain variety, and therefore enhance defensive baseball strategy, the pitcher manipulates the grip on the ball at the point of release. Variations in the grip cause the seams to catch the air differently, thereby changing the trajectory of the ball, making it harder for the batter to hit. Overwhelmingly, catchers look for showrunners, though artists and neophytes can win the day through enchantment and charm. From the catcher’s perspective, however, showrunners can also be the most dangerous of all pitchers, because they are the most likely to blind through glitz. Having studied Hollywood executives who assess screenplay pitches, the author says the person on the receiving end—the “catcher”—tends to gauge the pitcher’s creativity as well as the proposal itself.

Within 30 minutes, they’ve made lasting judgments about your character. To become a successful pitcher, portray yourself as one of the three creative types and engage your catchers in the creative process. By finding ways to give your catchers a chance to shine, you sell yourself as a likable collaborator. In the early days of organized baseball, artificial aids were allowed that enabled the pitcher to throw what was called a spitball. Simple saliva, saliva produced by chewing tobacco or sucking on slippery elm, or sweat was applied to the ball.


When the manager or coach detects signs of weakening on the part of the pitcher in the game, these bullpen pitchers begin warming up by throwing practice pitches. Since the early 1950s, relief pitching has grown in importance and become more specialized. Typically, one relief pitcher is designated as the “closer.” Closers are usually used only when a team has a lead late in the game and have the job of “saving” the victory for the team by collecting the remaining outs. In hurried business situations in which executives must evaluate dozens of ideas in a week, or even a day, catchers are rarely willing to expend the effort necessary to judge an idea more objectively. Like Harry Potter’s Sorting Hat, they classify pitchers in a matter of seconds.

More from Merriam-Webster on pitching

Finally, it’s important to enlist the help of other people in vetting pitchers. Another judge or two can help a catcher weigh the pitcher’s—and the idea’s—pros and cons and help safeguard against hasty judgments. When an offensive player reaches base, a pitcher must change tactics in order to prevent the runner from scoring. The pitcher will alter his stance on the mound from the “windup,” a stance that begins with the pitcher facing home plate, to the “stretch,” a stance that begins with a left-handed pitcher facing first base or a right-handed pitcher facing third base. Pitching from the stretch allows for a shorter motion that gets the ball to the catcher more quickly and allows the base runner less time to steal a base.

  • On this course so we’ll be learning the essential ‘confidence tricks’ to promote you and your service or product.
  • These variations are introduced to confuse the batter and ultimately aid the defensive team in getting the batter or baserunners out.
  • I observed Alan in a meeting with business-development executives he’d never met.
  • On their shopping outings at local stores, the McDermott sisters studied merchandising and product placement—all the while asking store owners how they got started, according to the short documentary film Cutting Their Own Cloth.
  • For example, cognitive flexibility, a penchant for diversity, and an orientation toward problem solving are signs of creativity; it simply isn’t true that creative types can’t be down-to-earth.
  • In baseball, the pitch is the act of throwing the baseball toward home plate to start a play.

When a pitcher believes a runner is likely to attempt a steal, he will try to shorten the runner’s lead or even “pick off” the runner (catch him off base) by making throws over to the runner’s base. When a balk is called by the umpire, all runners on base advance one base each. Those who buy ideas, then, need to be aware that relying too heavily on stereotypes can cause them to overlook creative individuals who can truly deliver the goods. In my interviews with studio executives and agents, I heard numerous tales of people who had developed reputations as great pitchers but who had trouble producing usable scripts. One well-known example occurred in 1985, when Coca-Cola announced it was changing the Coke formula.

Experience the new way of doing product management

Then it’s down to body language and non-verbal communication, before actually listening to what you have to say. On this course so we’ll be learning the essential ‘confidence tricks’ to promote you and your service or product. But first, here are the five essentials for any great pitch or presentation.